4. September 2019, Faculty of Social Sciences, University of Ljubljana
17:15-18:30: Business Meeting
18:30: Get together
5. September 2019, Faculty of Social Sciences, University of Ljubljana
09.00-09:15: Introduction: Images and Practices on the Move (Asko Lehmuskallio, Tampere University)
Jill Walker Rettberg (University of Bergen): Machine images: From Vertov’s Kino-Eye to deep fakes and selfie lenses.
12:15: Panel 1
Doron Altaratz (The Hebrew University of Jerusalem): Hybrid photography: Software agency and computational proprioception in smartphone photography.
Minna Saariketo (Aalto University): The unchallenged persuasions of mobile media technology.
Yanai Toister (Shenkar College of Engineering, Design and Art): Image operativity and phantom subjectivity.
13:30-13.45: Poster 1
Ilija Tomanić Trivundža and Andreja Vezovnik (University of Ljubljana): “Symbolic photographs” in news: Floating signifiers and beyond.
Susan Keith (Rutgers University): Notre Dame is burning: How image choices moved around the world.
Katy Parry and Giorgia Aiello (University of Leeds): The Everyday Africa photography project as a challenge to iconicity and photojournalistic conventions.
15:45-17:15: Panel 3
Patricia Prieto-Blanco (University of Brighton): On the phatic and family photography.
Joanna Kędra (University of Jyvaskyla): Mapping digital communication practices of transnational Polish families living in Finland – a case of elicitation interviews using interactive collage.
Federico Lucchesi, Seraina Tarnutzer and Katharina Lobinger (USI Università della Svizzera italiana): Visual Intimacy – Moving towards an overall conceptualization
6. September 2019, Faculty of Social Sciences, University of Ljubljana
Paul Frosh (The Hebrew University of Jerusalem): Moving images: On the mobility and motility of digital photography.
10:00-11:15: Panel 4 – Poster Session 2 (with coffee)
Sara Callahan (Stockholm University): Muybridge in motion: The use and function of the locomotion studies in late 20th and Early 21st century visual culture.
Carolina Cambre (Concordia University, Montréal): A speculative anarchy: Evaluating visual methods.
Sarah Lauß (University of Applied Arts Vienna): Exploring amateur film. Methodological approaches to private moving images.
Boris Ruzic (University of Rijeka): An image that moves: Rabih Mroue and the ‘incomplete’ image.
Hadas Schlussel (The Hebrew University of Jerusalem): How does a video feel? Users’ perceptions of ‘hypersensory videos’ on social media
11:15-12:15: Panel 5
Yi Chen (University of the Arts London): Envisioning images as cultural materiality.
Apoorva Nanjangud and Stijn Reijnders (Erasmus University Rotterdam): Understanding fan-reenactments in media tourism: The case of Bollywood song ‘Gerua’ and Indian tourists in Iceland.
13:30-15:00: Panel 6
Ida Roivainen (Tampere University): “Girlbosses”, authenticity and entrepreneurship on YouTube’s lifestyle channels.
Maria Schreiber (University of Vienna): Digital visual practices. Dimensions and affordances of visual networked communication.
Leslie-Jean Thornton (Arizona State University): Confluencies of art and time: Momentary connectedness on Instagram for the Notre-Dame fire.
15:30-17:00: Panel 7
Gaby David (Uni Sorbonne Nouvelle): Intersubjectivity and visual mobile autoethnography? Yes, it’s legit!
Susan Keith (Rutgers University) and Leslie-Jean Thornton (Arizona State University): Following images on the move across platforms: Methodological challenges for under-resourced researchers.
Seraina Tarnutzer, Federico Lucchesi and Katharina Lobinger (USI Università della Svizzera Italiana): Methods on the move. Grasping the complexities of visual communication practices with repertoire-oriented approaches.