Abstract:
This project delves into the exploration of embodiment, the intricacies of bodies, and gender dynamics within the realm of physical theatre training and production in the United Kingdom. Despite a noticeable shift in contemporary dialogues surrounding gender inclusivity in acting and relevant literature, there remains a need for further development in establishing gender-inclusive pedagogies in physical theatre. The focus of this investigation is on examining the current landscape of physical theatre in the UK, emphasizing the importance of gender-inclusive practices. The approach involves the formulation of a feminist physical theatre praxis using somatic methods, aligning with the 21st-century somatic shift that prioritizes the body in both practical applications and theoretical frameworks. The overarching goal is to integrate somatic movement and physical theatre methodologies, drawing inspiration from the parallel developments in intersectional feminism and the recognition of feminist somas. The specific strategy employed incorporates experiential anatomy, influenced by the somatic movement practice of Body-Mind Centering® (BMC®), along with physical theatre techniques such as Viewpoints and composition. Through this, the aim is to instill gender-inclusive discourses within the domain of physical theatre training and artistic creation.
BIO:
Amaia Mugica is a director, movement director, somatic educator and performer with expertise in physical theatre and movement for actors. She holds an MA in Movement from the RCSSD (UK). She is a Professional Doctorate student at UEL (London).